Friday, 2 September 2011

BLOKEISM # 1 Roger Vadim


Roger Vadim.
Journalist, actor, writer, Director, legend. His most famous partners were Bardot, Fonda and Denueve. Not bad eh? He made it to 72 and this French lothario has a pretty impressive CV both of women and Kitsch/avante garde movies.
  
Vadim directs

Thursday, 1 September 2011

DON'T BUY TOP POTTER RINGS


Sometimes things that are eulogised become annoying. That annoyance is generally based on two things; the fact that you don’t get what all the fuss is about and the realisation that the item of zeitgeist is a huge steaming pile of excrement. Obviously readers of this Blog can empathise with my complete contempt towards Top Gear; the worst Television show of all time based on its target audience and the audience it systematically excludes.

Aside from Top Gear there is a cinematic and literally case in point, The Harry Potter franchise; adequate children’s books, average special effects laden movies, and paint by numbers content. Yet the amount of adults happily amercing themselves, nay ingratiating themselves into the world of Rowling, is a classic example of the Naked Emperor syndrome. Yet Potter pales into insignificance compared to the hypnotic pseudo spiritual world of the Lord of the rings movies.

Never has a series of movies been lauded, without respect of content, merit and cinematic values as this trilogy of trite tripe. Peter Jackson seems to be good at one thing only as a director; the genre of running away from things, stopping for a tussle with things, then running away from things again,. It’s like some sort of directorial Groundhog Day.

But these franchises say a lot. What they tell us is that you can fool most of the people most of the time. Top Gear, LOTR, Potter etc are all a part of the conglomerated and perceived view of what appeals to the arbiters of cultural taste. Those arbiters of course being ironic; as they love to be.

Those movies/books/TV shows that I am referring to are, of course, the latest in a line of side show geeks pitching Snake oil, only this time the architects of taste are informing the audience by dint of a belief that we all need cultural guidance.

I say, don’t buy into it. Recognise these products for what they are. It’s okay to be in the minority. It’s okay to not be that interested in cars. It’s okay to feel apathetic about reading children’s books. It’s fine to not engage with Elves and protracted scenes of overblown battle. Choose to not engage with the definers of taste.

All being said and done I don’t like Top Gear; it annoys me. I don’t like Lord of the Rings; the movies are mind numbing and effects driven. I don’t like Harry Potter books; they are storytelling by number, For kids. I don’t like the Harry Potter movies; they are basically Simpson/Bruckheimer movies with sheen of culture. And that's all it is; a sheen.

MADMENTHESOPRANOSTHEWIRE

Mad Men Poster 005.599-1281247854 Mad Men Plakat, TV-Serie, Jon Hamm, Elisabeth Moss, Vincent Kartheiser, Emmy Awards 005.599-1281247854 Mad Men ist in den 1960er Jahren eingerichtet, zunächst an der fiktiven Sterling Cooper Werbeagentur auf der Madison
The Divine Trinity(alphabetically)-Mad Men/The Sopranos/The Wire

Time for a reappraisal of how good these three shows were/are.

In any reckoning these three TV shows are the best that has been seen. Comparisons are inevitable yet futile.

Mad men is set in the past and like the Sopranos uses flashback and glimpses into the internal minds eye, whereas The Wire has a real time narrative and does not employ any insight into past and dream states.

What they do have in common is quality. Quality in writing, casting and attention to detail. They all take the art of subtlety to new heights, particularly in the time given to character development.
Mad Men
The Sopranos and Mad Men have ensemble casts that orbit a lead character and The Wire does too, but to a lesser degree as McNulty does not have the importance of Tony or Don/Richard in terms of plot development.

What they each bring is a sense of involvement and commitment. To speak of their greatness is by no means exaggerating and I would put the numerous episodes as bodies of work right up there with the cinematic greats like The Godfather, Casablanca or Goodfellas
The Sopranos
I have watched The Sopranos and the Wire in their entirety twice and am currently amid the exploits at Sterling Cooper again and again. All three are masterpieces of TV and I cannot praise them highly enough
The Wire
In a world where Tarantino directed a double episode of CSI  I could imagine David Lynch directing an episode of Mad Men, Spike Lee doing The Wire and of course Scorsese The Sopranos and those great directors would be faced with a challenge.

Spike Lee doing The Wire
and of course Scorsese The Sopranos
or David Lynch directing an episode of Mad Men

...Which got me thinking;
Woody Allen-Curb your Enthusiasm
Paul Greengrass-The Sweeney
Mike Leigh -Gavin & Stacey
Ken Loach-Coronation street
The Coen Brothers-Twin Peaks
Michael Mann-CSI: Miami 
Christopher Nolan-Life on Mars
David Fincher-The X Files
Stanley Kubrick-The Prisoner
Tim Burton-Land of The Giants
John Walters Batman (TV Series)
Tony Scott-24
Michael Bay- Baywatch
John Lassiter-Top cat
Steven Spielberg-Roots
JJ Abrams-The man fron U.N.C.L.E.
Clint Eastwood-Tombstone
Albert Brooks-Frasier
Brian DePalma- The Fugitive
Paul Verhoeven -V

Quentin Tarantino-The Itchy & Scratchy show

 
...Just a thought

Wednesday, 31 August 2011

La Pel Que Habito (The Skin I Live In)

 The Skin I Live In

Antonio Banderas and Elena Anaya are at the core of the story told in this exceptional movie that conjures up flavours of Cronenburg and the ethereal quality of Lynch. It's a story about one mans obsession, and his cold scientific eye following an incredible path to both follow the obsession and revenge for an act that took place involving his daughter.
Almodovar is a master of the surreal as seen in his past work; this film follows a path that is a story of obsession not unlike that of Dr Frankenstein. As the story unfolds a terrible truth is revealed and the level of Banderas’ Doctor Legard’s obsession becomes clear. Horrifyingly so. The way in which the story is told gradually entwines the viewer into the Surgeons mind and motivation.
There are moments of real horror in the sense of how a human being can be manipulated to meet the needs of another, alongside these moments there is a story that is unravelled in a disjointed manner, and this adds to the feeling of dislocation. Love is an underlying theme; love between family members and love between two people. 
Banderas is excellent but high praise should go to the beautiful Elena Anaya as Vera Cruz, the quality of her performance takes on greater meaning as the tale unfolds. She has a great future ahead of her, that's for sure.
It is hard to review this movie as there is a central fact that, if revealed, will spoil the enjoyment of the first time viewer. That central fact is where Aldomovar shows an eye for showing the limits of morality.
soundtrack
Suffice to say that La Pel Que Habito is one of the best movies that have been released for some time. Intelligent, moving, horrifying and always interesting. The soundtrack by Alberto Iglesias is superb, as is the set design; Quality from Almodovar.
trailer Espanol

Monday, 29 August 2011

MY HIT LIST : FALLING IN LOVE

Robert DeNiro and Meryl Streep reunited after the Deer Hunter in what is essentially a 'Brief Encounter' style movie. The result, a fabulous movie. Under rated and under appreciated as it sees DeNiro in an unfamiliar role. Having said that Trevor Howard was hardly the matinee idol when David Lean put him in Brief Encounter.
The movie is a wonderful and subtle love story and both actors are as
good as their reputations.
It's the sort of movie that is ideal lazy afternoon fare as well as being well worth seeing for fans of the pair who generally go for their more intense work. The beauty of the movie is the unspoken stuff and the unfulfilled elements, both characters struggle to do the right thing, they both have their own lives that they neeed to deal with. It's a tale that could actually happen to any one of us. Great mainstream cinema


Thursday, 25 August 2011

BACK TO THE FUTURE

CINEMA WILL HAS EAT EATEN ITSELF

 
 
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