SMOOTH PROGRESS
Pete Green's Fleetwood Mac, Eno's Roxy Music, Peter Gabriel's Genesis, they all metamorphosised into smooth pop acts. That's the general consensus, that their creative juices dried up when pivotal members of the band were no longer there, but I beg to differ when it comes to Roxy Music and Fleetwod Mac. I actually prefer their later incarnations.
Stalwart Prog rocker's could argue a decline in the case of Genesis and it would be a good argument (unless your'e Patrick Bateman) as they reached their post Gabriel peak immediately with the excellent Trick Of The Tail. Phil Collins' solo output has been consigned to the bargain bin of naffness and certainly you could argue that his songwriting erred on the side of Chris DeBurgh.
Stranded was the first post Eno Roxy Music album and it is a triumph kicking off with the anthemic Street Life and featuring the melancholic masterpiece A Song For Europe the following albums all hinted at the Era defining Avalon and showed a great deal of finesse as opposed to the sometimes jarring earlier material. Some say bland but I say smooth and alluring. A fitting swan song for this most interesting of bands.
Of course I'm not dismissing The Green Manalishi (With The Two Pronged Crown) or Virginia Plain I'm just saying that Bands can develop both ways. A band can start out with simpler arrangements and become more complex so why not start of with complexity and streamline your art? Besides which, when has popularity when it comes to popular music been a bad thing?
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having said that;